I’ll be booking sessions in Ross House for this course, which has generated a lot of interest. In it we’ll follow Dante on his epic explorations of the farthest stretches of the medieval cosmos and the innermost workings of the human psyche. Sinners, saints and a representative sampling of all sorts in between are down for a visit and a chat, and even in translation Dante’s verse sweeps the reader along at an astonishingly brisk pace. Wonders and horrors galore, in a master-class on medieval poetry, theology and philosophy. If you haven’t already done so, you can register your interest (no commitment required at this point) via the “Contact Us” link on the MLS homepage.
The Poetry of Seamus Heaney
Seamus Heaney’s poetry covers a huge ground. With a keen eye and finely tuned voice, he composed poems of powerful local intensity that have reached a global audience. His effortless wit and humor, his warmth, and his uncanny ways of holding the world to a moral standard at once generous and exacting have proven utterly unforgettable to any who have encountered them. In six two-hour sessions we will read and discuss a representative sampling of Heaney’s poems from across his career. A selection of these will be provided in the first session.
The Poetry of Seamus Heaney
Where: Ross House, 247 Flinders Lane
When: Wednesdays, 1pm to 3pm, 6 November to 11 December
Fee: $130
If you’re interested, let me know via the “Contact Us” link.
The Book of Books: the Bible in English Literature
This twelve-week course, which will run from 31 October, will explore the great variety of different texts that can be found in the Bible and their tremendous impact on authors from the Middle Ages to the present day.
If you don’t already own one, you will need to acquire a Bible–any modern translation will do, though I would recommend one of the more classic versions:
King James Version
Revised (or New Revised) Standard Version
The (New) Jerusalem Bible
These are, however, just suggestions. In addition, I will provide an anthology of the literary texts we will discuss. There’s been a lot of interest in this course, so if you haven’t already expressed yours and would like to attend, do contact me so I can reserve a place for you.
Where: Ross House, 247 Flinders Lane
When: Thursdays, 1pm – 3pm, starting 31 October and ending 23 January (12 weeks, including a break for Boxing Day)
Fee: $250
Special Thanks to McIver’s
Good coffee is one of the essential items in any academic’s survival kit, and McIver’s in Vic Market serves up the best beans in town. As if that weren’t enough, Jill, Catherine and all their colleagues behind the hoppers, percolators, teapots and cosies are always up for a friendly chat. As I’ve made my delicate transition from university sessional to freely enterprising solo lecturer, their conversation, counsel and caffeine have never failed to lift my spirits when they were flagging.
I hereby declare McIver’s the official purveyors of coffee-drinkers’ requisites to The Melbourne Literature Seminars. Long may we both thrive.
Book of Books Booking Booked (almost . . .)
Finally sifted through all my existing commitments to find a slot for the twelve-week course on the Bible in English literature (the Book of Books) that so many of you have been asking about. What I found was just about the only time available. I’ve submitted a booking request to Ross House on Flinders Lane, which has several suitable facilities. The day will be Thursday (weekly), starting from 31 October (fancy dress optional) and the hours 1pm-3pm. We’ll probably have to skip 26 December, so the actually run will last thirteen weeks. Nothing’s settled yet with Ross House, but that will be the schedule. I’ll confirm when I hear from them. Thanks for your patience!
Two Long Courses in Search of Students: Dante’s Divine Comedy and The Book of Books
I’m hoping to get these two long courses booked soon, so if you haven’t already expressed interest, now’s the time. Use the “Contact Us” link to send me a message. Thanks!
The Book of Books: The Bible in English Literature
(14 weeks)
The influence of the Bible on western culture and literature is simply beyond calculating. But we won’t let that stop us! In this unit we will survey some of the major themes, images and literary genres of the Bible and trace their impact on the literary imagination of English-language authors from medieval to modern. Students will be asked to bring Bibles. Any modern translation with Old and New Testaments will serve. I recommend the King James Version, which is most relevant to the literary issues we’ll be discussing, or the Jerusalem (or New Jerusalem) Bible, which is an excellent Catholic translation with the Apocrypha. I will assemble an anthology of literary texts, from medieval to modern, that we will read for our discussions of the Bible’s impact on English literature.
Course fee $250 (includes the anthology)
Dante’s Divine Comedy
(14 weeks)
Another enormously influential work of the Western canon, Dante’s Divine Comedy has been shaping our notions of heaven and hell for seven centuries. Dante’s uncanny literary vision of life, the universe, and everything beyond delights, astounds, horrifies and inspires by turns, in some of the most sumptuous poetry ever committed to paper. In a good English translation, it still packs a considerable wallop. In this course we will read and discuss all three sections of the Comedy—the Inferno, the Purgatorio, and the Paradiso.
Students will be asked to bring any English translation of The Divine Comedy. I can recommend those of Allen Mandelbaum, Mark Musa, Dorothy Sayers, John and Jill Hollander, and, for fun, Clive James. There are many others that would do equally well, except perhaps Longfellow’s, which has just dated a bit. Sorry, Henry Wadsworth . . .
What Is Poetry? Begins
Then next course in The Melbourne Literature Seminars sets off on a six-week cruise from the Middle Ages to, well, not quite today, but well into the twentieth century. Along the way we’ll be focusing on the poetry as poetry: how it works and to what ends. I’ll be doing my best to show how the pleasure and the power of any effective poem can serve as both oxygen-bottle and fairy-dust in an age where leaden prose governs so much public discourse. Need I say “the recent elections”?
The Inklings gets underway as Australia votes!
Whatever you think of the Federal election, there’s always good books to keep us warm. On Saturday, 7 September, the first session of a six-week course on the writings of C.S. Lewis, Charles Williams, and J.R.R. Tolkien will run from 1pm to 3pm in the Large Meeting Room of Fitzroy Library. All welcome, whether or not you’ve expressed an interest. There are plenty of places available, and I’d be happy for people to attend the first session, without charge or obligation, to see what we’re about.
What Is Poetry?
What Is Poetry?
When: Six Wednesdays from 18 September to23 October
1.30pm till 3.30pm
Where: large meeting room, Fitzroy Public Library
Fee: $120
The kinds of prose writing that most of us are used to reading—from journalism to novels, travel writing and cookbooks, texts and tweets—are a very recent development in the history of how human beings have learned to use language. Poetry is a far older more universal phenomenon that dates back to the earliest human cultures. For millennia it has been both a demanding craft and a source of potentially endless enlightenment and delight. In this course we will read and discuss a wide range of English-language poems, from medieval to modern, to see what we can discover about the nature of poetry itself–how it works, what it can achieve, and the many ways in which it can offer us both recreation and wisdom.
I will provide a course reader containing the poetry we will discuss in this course.
The Inklings: J.R.R. Tolkien, C.S. Lewis and Charles Williams
The Inklings: J.R.R. Tolkien, C.S. Lewis, and Charles Williams
When: Six Saturdays from 7 September to 12 October
1.00pm till 3pm
Where: large meeting room, Fitzroy Public Library
Fee: $120
In this course we will read and discuss excerpts from the writings of these three most widely read members of the Inklings, a group of Oxford academics and their friends who met regularly in the forties and fifties to read their works to one another and discuss them convivially. The Inklings were the first to hear drafts from Tolkien’s The Hobbit and The Lord of the Rings, Lewis’ The Narnia Chronicles, and the poetry, essays and novels of Charles Williams, a less well-known figure who still commands a loyal following (among whom I count myself!). Individually and collectively, the Inklings embodied an extraordinary range of intellectual and literary tastes and styles, and they shared a profound urge to explore issues of faith and metaphysics with both imaginative flair and theological rigor. The wide appeal of Tolkien’s and Lewis’ popular fictions speaks for itself, and Williams’ more esoteric novels and Arthurian poetry have won a smaller but devoted audience.
I will assemble a reader for this course, comprising short fiction, essays and excerpts from longer works by Tolkien, Lewis, and Williams, which I will make available as a PDF to enrolled students ahead of the first session. I can also provide hard copy at no extra charge.
Let me know if you’d like to attend, via the “contact us” link on the MLS homepage.